ShareAnnouncing our 2009/2010 Season!
AWAKE AND SING!
By Clifford Odets
Directed by Joy Carlin
August 21-September 27, 2009 (Opens: August 27)
Aurora Theatre Company sets the tone for its 18th season, opening with Clifford Odets’ classic Depression-era drama AWAKE AND SING! First produced in 1935 by the Group Theatre, AWAKE AND SING! covers a year in the life of the Bergers, an extended Jewish family who do whatever it takes to survive life in the Bronx. Written at the height of the Depression, when economic disorder led to a sudden, urgent questioning of American society, AWAKE AND SING! depicts the too true-to-life economic hardships confronted by working-class families during the 1930s, documenting their dreams and disappointments, hopes, fears, and follies in the face of the American dream. AWAKE AND SING! garnered two Tony Awards for its 2006 Broadway revival, called a “stirring . . . still pungently funny play . . .[that] reminds us, the song of human aspiration is always sweet to hear” by The New York Times, and about which Variety said, “the drama’s power creeps up on you. . . the rough-hewn poetry of Odets’ idiomatic language . . . remains intoxicating.” Joy Carlin (The Price, Hysteria, Jack Goes Boating), who first directed this play for Berkeley Repertory Theatre 24 years ago, revisits this landmark drama for Aurora.
FAT PIG
By Neil LaBute
Directed by Barbara Damashek
October 30-December 6, 2009 (Opens: November 5)
Cow. Slob. Pig. Size does matter. Bad-boy playwright Neil LaBute continues his exploration of body consciousness in contemporary America with FAT PIG, the second play in a trilogy that began with The Shape of Things (produced by Aurora in 2003). Conventionally good-looking Tom falls for Helen, a bright, funny, sexy woman, who happens to be plus-sized. Forced to explain his new relationship to his perplexed friends, Tom must come to terms with his own preconceived notions of love and attraction. Premiering at the Lucille Lortel Theater in 2004, this alternately funny and sad play, called “emotionally engaging” by The New York Times, and full of what The Washington Post dubbed “Labute’s lacerating humor,” not only critiques our adherence to Hollywood’s standards of beauty, but questions our ability to change what we dislike about ourselves. Tony-nominated director Barbara Damashek (Quilters) returns to Aurora Theatre Company, where she directed the West Coast Premiere of Private Jokes, Public Places, to helm this story about human weakness and the difficulty people face when trying to stand up for, and live up to, something they believe in.
THE FIRST GRADE
By Joel Drake Johnson
World Premiere
Directed by Tom Ross
January 22-February 28, 2010 (Opens: January 28)
Aurora Theatre Company presents the World Premiere of lauded Chicago playwright Joel Drake Johnson’s THE FIRST GRADE. Exploring with great humor and passion the price one pays for being a totally engaged member of the human race, this World Premiere, which originated as one of Aurora Theatre Company’s Global Age Project winners last season, follows the sometimes hilarious, sometimes frightening journey of a woman whose attempts to save her physical therapist from harm leads her into a chaos that includes a class of first graders, her depressed daughter, her Ritalin addicted grandson, and an ex-husband with whom she still shares a home. Aurora Theatre Company Artistic Director Tom Ross directs this new play from Johnson, whom The Chicago Reader declared “balances gallows humor with acute insight and compassion. He creates characters so real you wonder what will happen to them after the final blackout.”
THE FIRST GRADE will be produced as the fully-staged anchor production in The Global Age Project (GAP), an Aurora Theatre Company initiative that encourages playwrights and directors to explore life in the 21st century and beyond. In addition, several new plays dealing with global age concerns will be chosen from an international pool of playwrights and presented in a series of developmental readings during the run of THE FIRST GRADE.
JOHN GABRIEL BORKMAN
By Henrik Ibsen
A new version by David Eldridge
Directed by Barbara Oliver
April 2-May 9, 2010 (Opens: April 8)
Aurora Theatre Company presents Henrik Ibsen’s chilling, fiercely relevant JOHN GABRIEL BORKMAN. Written in 1896, and recently revived in a new version by David Eldridge at London’s Donmar Warehouse to great critical acclaim, Ibsen’s penultimate play is a pointed indictment of capitalism, selfish ambition, and greed. The Borkman family fortunes have been brought low by the imprisonment of John Gabriel Borkman, who used his position as a bank manager to speculate illegally with his clients’ money, ultimately losing the financial investments of hundreds of people. After serving eight years in prison for embezzlement, Borkman has spent the last five years making plans for a comeback, pacing alone in an upstairs room. Meanwhile downstairs, his estranged wife and her sister vie for the loyalty of Borkman’s only son. Aurora Theatre Company founding Artistic Director Barbara Oliver, who directed the company’s hit production of Ibsen’s The Master Builder, returns to helm this drama about a family confined by an inescapable, unappeasable past, called a “magnificent” work of art by The Guardian (London).
SPEECH & DEBATE
By Stephen Karam
Bay Area Premiere
Directed by Robin Stanton
June 11-July 18, 2010 (Opens: June 17)
Closing Aurora Theatre Company’s 18th season is Stephen Karam’s fiercely funny SPEECH & DEBATE, hailed as a “savvy comedy…bristling with vitality, wicked humor, terrific dialogue and a direct pipeline into the zeitgeist of contemporary youth” by Variety when it opened off-Broadway at the Roundabout Theatre in 2007. Three teenage misfits in Salem, Oregon discover they are curiously connected by a sex scandal that’s rocked their hometown. When the trio (a “drama geek,” a “queeny boy,” and a budding school newspaper reporter) form an unlikely alliance to seek out and disclose the truth, secrets become currency, the stakes escalate, and their connection grows deeper in their quest for fame and free speech. Robin Stanton (Betrayed, The Busy World is Hushed, Permanent Collection) directs this distinctive new play Entertainment Weekly called “One of the top ten plays of the year…Even if you’re not fluent in IM, you’ll LOL at this subversive comedy.”
Request More Info
Feel like you'd like to know more? Click here to be placed on the mailing list to receive our season brochure.
